He would, though, occasionally employ the rocker pedal to subtly enhance vocal-like inflections. Roth used the wah only on his leads and solos as a midrange EQ control, generally keeping it in a fixed position about two-thirds of the way down. His rhythm tracks, played using the Strat’s neck pickup, are super-slinky and clean. 046/half-step down (Eb, Ab, Db, Gb, Bb, Eb) early '70s Vox Cry Baby wah (sweep about 2/3 toe down), Bonus pedal (not used on this song): Roland AP-7 Jet Phaser (Jet Level: 8, Jet Mode: 2, Resonance: 6, Slow Rate: 1, Slow engaged) Guitar: 1975 Fender Stratocaster with maple fingerboard (bridge pickup lead/solos, neck pickup rhythm parts), Volume: 10, Tone 1: 10, Tone 2: 10Īmp: 1972 Marshall model 1959T Super Lead Tremolo 100-watt head (Speed: 0, Intensity: 0, Presence: 5, Bass: 3, Middle: 8, Treble: 7, Volume I: 6, Volume II: 0, Input I top left) into Marshall 1960B 4x12 cabinet with unknown speakers (most likely 25-watt Celestion G12M 55Hz)Įffects: c.
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